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Bartók forever
D. Scarlatti - Sonata D Major K. 345
Bartók forever
5:57 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
 
Inventio 1 C Major BWV 772
Bartók forever
1:06 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
 
Simple "westward" modulating progressions based on the Cycle/Circle of 5ths
Bartók forever
1:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
 
Canaris
Bartók forever
0:54 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 1 7 6 100%
Bass 18 0 2 6 71%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Allons enfants...
Bartók forever
0:56 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 14 0 2 6 72%
Treble 14 0 2 6 72%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 14 0 2 6 72%
Treble 14 0 2 6 72%
Bass 11 0 2 8 100%
Bass 11 0 2 8 100%
Pipe
Organ		 Bass 18 0 6 9 93%
Panflöte Treble 17 37 5 10 90%
 
Variations
Bartók forever
2:05 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 11 9 4 90%
Bass 34 27 11 4 84%
 
Once upon a time
Bartók forever
2:05 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
Flügelhorn Treble 14 0 2 4 48%
Treble 7 0 1 4 15%
Flöte Treble 18 0 7 4 44%
Horn
in
F		 Treble 19 0 7 5 41%
Klarinette
in
B		 Treble 10 0 4 5 28%
Pauke Bass 3 0 0 3 19%
 
Sonata Eb Major K. 306
Bartók forever
5:55 Est. Play
Time
110 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
 
Praeludium und Fuge über den Namen B A C H BWV 898
Bartók forever
4:18 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 21 11 8 97%
Bass 30 7 12 10 89%
 
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Warum betrübst du dich (Aria) BWV 516
Bartók forever
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
Solo per il cembalo BWV Anhang 129
Bartók forever
3:32 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Preambulum 11. et 12. Toni
Bartók forever
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 1 3 7 100%
Bass 14 0 2 6 100%
 
What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")
Bartók forever
2:32 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
Violine
I/II		 Treble 19 0 7 2 100%
Treble 18 0 6 2 100%
Basso
Continuo		 Bass 15 0 5 2 100%
Bratsche 19 0 6 2 100%
Bass Bass 16 0 6 4 69%
 
Praeludium
Bartók forever
0:53 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 9 4 6 100%
Bass 19 8 5 7 100%
Execution 19 19 2 6 67%